Frühe Neuzeit | Absolutismus
Rulership and State-Building in the 17th Century
The Treaty of Westphalia in 1648 ends the Thirty Years’ War, yet religion and rulership remain inseparable. Protestant and Catholic princes see their rule as a divine mandate. After the war, for many, there is only one goal: to rebuild their war-torn nations. They stimulate the economy, invest in education, promote scientists and artists. All of which likewise serves their purpose of self-aggrandizement. No one masters this art as expertly as King Louis XIV of France. Power-conscious, he portrays himself as absolute ruler by the grace of God, from whom all political decisions radiate. The famous Palace of Versailles becomes the baroque stage for his centralist state policy.
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early modern period, 30 Years’ War, pestilence, famine, Thuringia, reconstruction, Ernst I of Saxony-Gotha, residence Friedenstein, sovereign, subjects, economy, nutrition, taxes, centralisation, provincial administration, reforms, state government, Landesordnung, Veit Ludwig von Seckendorff, Mirrors for Princes, Duke Ernst I of Saxony-Gotha, Dukedom, protestant, Protestantism, local ruler, protector, Church, church service, salvation, Bible, parishes, Andreas Reyher, school system, literacy, compulsory schooling, court, ruler, centre of art and culture, princes, Baroque, Art Chamber, curios, representation, members of society, education, sciences, libraries, educational journeys, Europe, courtly etiquette, habits, ceremonies, splendor, Versailles, Louis XIV, Sun King, absolute monarch, absolutism, nobility, rituals, luxury, wealth, splendour, court festivities, opera, theatre, royal household, tax revenues, estates, pope, Papal State, Reformation, art, faith, Duke Frederick I of Saxony-Gotha, Friedenstein Castle, court theatre, Baroque festivals
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